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Pilgrims Progress

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The poem that most "speaks" to you.

Here's your chance to let us know the poem that never fails to have meaning for you.

 

The poem, that even on first reading, made your heart beat a little faster.....

 

 

Perhaps there's those out there that have written their own poem?

 

 

Or, if you just like reading poetry, like me, share your special poem with us.

Here's mine -

 

Kindness
by Naomi Shihab Nye

Before you know what kindness really is
you must lose things,
feel the future dissolve in a moment
like salt in a weakened broth.
What you held in your hand,
what you counted and carefully saved,
all this must go so you know
how desolate the landscape can be
between the regions of kindness.
How you ride and ride
thinking the bus will never stop,
the passengers eating maize and chicken
will stare out the window forever.

Before you learn the tender gravity of kindness,
you must travel where the Indian in a white poncho
lies dead by the side of the road.
You must see how this could be you,
how he too was someone
who journeyed through the night with plans
and the simple breath that kept him alive.

Before you know kindness as the deepest thing inside,
you must know sorrow as the other deepest thing.
You must wake up with sorrow.
You must speak to it till your voice
catches the thread of all sorrows
and you see the size of the cloth.

Then it is only kindness that makes sense anymore,
only kindness that ties your shoes
and sends you out into the day to mail letters and
purchase bread,
only kindness that raises its head
from the crowd of the world to say
it is I you have been looking for,
and then goes with you everywhere
like a shadow or a friend.

 

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Pilgrims Progress's picture

Pilgrims Progress

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Oops! I forgot to mention that I decided on the Relationships forum - because it seems to me that poetry is always about relationship.

 

Relationship to another........

Relationship to Nature...........

Relationship to the Creator.......

 

Or, for we followers of Process Theology, all three!  cool

InannaWhimsey's picture

InannaWhimsey

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This one still floors me, such simple elegance, describing so much.  In this case, the Schrodinger Equation, the Rule of Reality discovered by us imperfect, finite, but relentlessly curious and willing to be wrong, beings.

 

This is the kind of stuff that is, eventually, causing this to happen.

 

The real language and 'commandments' of creation.

 

More wordy type poetry to come later.

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Alex

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'Tis a fearful thing poem has really spoken  to me. I beieve it does and will to many others suffering from loss or grief.    Good choice to put this thread in the Relationship area, Pilgram   This speaks to me of the deep pain I have endured since my friend Barry became ill and died earlier this years. Howerver it also speaks of the Joy and the Holyness of  friendship and love, and for that I am grateful to have had with Barry.   Along with all the other relationships I have had that death has touched.     We might have fear, but we can get past it to live in joy and gratitude for what once was.

 

 

 

 

'Tis a Fearful Thing

'Tis a fearful thing

to love what death can touch.

A fearful thing

to love, hope, dream:

to be--

to be,

And! to lose.

A thing for fools, this,

and

a holy thing,

a holy thing

to love.

For your life has lived in me,

your laugh once lifted me,

your word was gift to me.

To remember this brings painful joy.

'Tis a human thing, love,

a holy thing,

to love

what death has touched. 



Anonymous

 

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gecko46

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This was a favourite for my husband and I. It speaks to me often with its good advice about life.


Max Ehrmann

Desiderata

Go placidly amid the noise and haste,
and remember what peace there may be in silence.
As far as possible without surrender
be on good terms with all persons.
Speak your truth quietly and clearly;
and listen to others,
even the dull and the ignorant;
they too have their story.

Avoid loud and aggressive persons,
they are vexations to the spirit.
If you compare yourself with others,
you may become vain and bitter;
for always there will be greater and lesser persons than yourself.
Enjoy your achievements as well as your plans.

Keep interested in your own career, however humble;
it is a real possession in the changing fortunes of time.
Exercise caution in your business affairs;
for the world is full of trickery.
But let this not blind you to what virtue there is;
many persons strive for high ideals;
and everywhere life is full of heroism.

Be yourself.
Especially, do not feign affection.
Neither be cynical about love;
for in the face of all aridity and disenchantment
it is as perennial as the grass.

Take kindly the counsel of the years,
gracefully surrendering the things of youth.
Nurture strength of spirit to shield you in sudden misfortune.
But do not distress yourself with dark imaginings.
Many fears are born of fatigue and loneliness.
Beyond a wholesome discipline,
be gentle with yourself.

You are a child of the universe,
no less than the trees and the stars;
you have a right to be here.
And whether or not it is clear to you,
no doubt the universe is unfolding as it should.

Therefore be at peace with God,
whatever you conceive Him to be,
and whatever your labors and aspirations,
in the noisy confusion of life keep peace with your soul.

With all its sham, drudgery, and broken dreams,
it is still a beautiful world.
Be cheerful.
Strive to be happy.

 

Mendalla's picture

Mendalla

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Horace (Quintus Horatius Flaccus) is probably my favorite poet in any language. He was a Latin poet during the reign of Augustus and wrote poems on a number of themes in a number of different forms. The two odes below are quite similar in theme and I've had the pleasure of studying both in the original language. The theme in both is contrasting the beauty of spring with the dark reality that we only get to enjoy the pleasures of life for a short time. The Odes frequently talk about the brevity of life and of living for today and the famous phrase "carpe diem" (seize the day) had its origins in another poem from the first book of odes. Translations below are by A. S. Kline from this website.

= Horace wrote:

Odes I, 9

See how Soracte stands glistening with snowfall,

and the labouring woods bend under the weight:

see how the mountain streams are frozen,

cased in the ice by the shuddering cold?

 

Drive away bitterness, and pile on the logs,

bury the hearthstones, and, with generous heart,

out of the four-year old Sabine jars,

O Thaliarchus, bring on the true wine.

 

Leave the rest to the gods: when they’ve stilled the winds

that struggle, far away, over raging seas,

you’ll see that neither the cypress trees

nor the old ash will be able to stir.

 

Don’t ask what tomorrow brings, call them your gain

whatever days Fortune gives, don’t spurn sweet love,

my child, and don’t you be neglectful

of the choir of love, or the dancing feet,

 

while life is still green, and your white-haired old age

is far away with all its moroseness. Now,

find the Campus again, and the squares,

soft whispers at night, at the hour agreed,

 

and the pleasing laugh that betrays her, the girl

who’s hiding away in the darkest corner,

and the pledge that’s retrieved from her arm,

or from a lightly resisting finger.

 

= Horace wrote:

Odes IV, 7

The snow has vanished, already the grass returns to the fields,

and the leaves to the branches:

earth alters its state, and the steadily lessening rivers

slide quietly past their banks:

 

The Grace, and the Nymphs, with both of her sisters, is daring enough,

leading her dancers, naked.

The year, and the hour that snatches the kindly day away, warn you:

don’t hope for undying things.

 

Winter gives way to the westerly winds, spring’s trampled to ruin

by summer, and in its turn

fruitful autumn pours out its harvest, barely a moment before

lifeless winter is back again.

 

Yet swift moons are always repairing celestial losses:

while, when we have descended

to virtuous Aeneas, to rich Tullus and Ancus, our kings,

we’re only dust and shadow.

 

Who knows whether the gods above will add tomorrow’s hours

to the total of today?

All those you devote to a friendly spirit will escape from

the grasping hands of your heirs.

 

When once you’re dead, my Torquatus, and Minos pronounces

his splendid judgement on you,

no family, no eloquence, no righteousness even,

can restore you again:

 

Persephone never frees Hippolytus, chaste as he is,

from the shadow of darkness,

nor has Theseus, for his dear Pirithous, the power to

shatter those Lethean chains.

 

EDIT: Kong is a happy ape. Kline has made his translations freely available in epub format. I can now have the complete works of Horace on my Kobo without dropping a cent.

 

Mendalla

 

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And, for me at least, no thread on poetry would be complete without Mary Oliver. Her poetry is steeped in nature and spiritual images. This one is in the readings section of our UU hymn book and I have used it in services, usually as Opening Words (= Call to Worship). It is, perhaps, my favorite work by a living poet. Definitely speaks to me as do many of her works.

 

Morning Poem

 

Every morning

the world

is created.

Under the orange

 

sticks of the sun

the heaped

ashes of the night

turn into leaves again

and fasten themselves to the high branches ---

and the ponds appear

like black cloth

on which are painted islands

 

of summer lilies.

If it is your nature

to be happy

you will swim away along the soft trails

for hours, your imagination

alighting everywhere.

And if your spirit

carries within it

 

the thorn

that is heavier than lead ---

if it's all you can do

to keep on trudging ---

there is still

somewhere deep within you

a beast shouting that the earth

is exactly what it wanted ---

 

each pond with its blazing lilies

is a prayer heard and answered

lavishly,

every morning,

whether or not

you have ever dared to be happy,

whether or not

you have ever dared to pray.

 

from Dream Work (1986) by Mary Oliver

© Mary Oliver

 

More Oliver available here.

 

Mendalla

 

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To speak to the original topic for a moment, it's hard for me to pick one poem that most speaks to me, because different poems speak to me in different ways at different times. There are some that speak to me at a specific time and then kind of pass on their way. The three I've posted are ones that I've come back to time and time again, esp. the Horace which i first encountered almost 30 years ago.

 

I'll add one more that speaks me as much for its emotional connections as for its specific words. The poet is Rev. Dr. Harold Vaughan and the emotional connection is that I've read it from the pulpit twice - at his funeral and at my mother's.

 

Being or Non-being

 

Ah death, art thou a thief

Come to rob us of life's treasure,

Or perchance to bring relief

From pain we cannot measure

 

Whether thou comest soon or late

We scarce can wish thee here

Unless, thou are more than fate

And bringest ne'er a fear.

 

Ah what, if anything, may lie

Beyond this grave austere

Which justifies the need to die

And leave our loved ones here?

 

This much is sure; we cannot know

In what non-being might consist.

But declares it will not go

And in Love's faith, we will persist.

 

Mendalla

 

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waterfall

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Oh there are so many.......

 

----------------------------------------------------------------------------------------------------------

Our deepest fear is not that we are inadequate.

 

Our deepest fear is that we are powerful beyond measure.

 

It is our light, not our darkness that most frightens us.

 

We ask ourselves, who am I to be gorgeous, talented, fabulous?

 

Actually, who are you not to be?

 

You are a child of God. You're playing small does not serve the world.

 

There is nothing enlightening about shrinking, so that other

 

people won't feel insecure around you.

 

We were born to make manifest the glory of God that is within us.

 

It is not just in some of us, it is in everyone.

 

And as we let our light shine,

 

we unconsciously give other

 

people permission to do the same.

 

As we are liberated from our own fear

 

our presence automatically liberates others.

 

by Marianne Williamson

---------------------------------------------------------------------------------------------------------

 

 

 

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waterfall

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MikePaterson's picture

MikePaterson

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The madness of Love

The madness of love
Is a blessed fate;
And if we understood this
We would seek no other:
It brings into unity
What was divided,
And this is the truth:
Bitterness it makes sweet,
It makes the stranger a neighbor,
And what was lowly it raises on high.
 
          -- Hadewijch (13th Century)

 

 

 

Pilgrims Progress's picture

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Waterfall,

I saw the video you're referring to - extremely confronting and disturbing.

I 've chosen not to post it though, because it may unfairly incite anti-Moslem feeling.

I believe, as evidenced in this PBS article, that the majority of Moslems don't condone such behaviour.

 

 Criminal offenses are just one part of Sharia, a code for living. If followed, Muslims claim there will be no poverty or crime in their societies. While most Muslims attempt to adhere to Sharia as a way of living, the harshest punishments for certain criminal offenses are carried out in relatively few Muslim societies, such as Saudi Arabia and Iran. In other countries such as Pakistan with Sharia law, it is applied selectively. In predominantly Muslim countries that have secular governments, it has largely been abandoned as a legal system.

Pilgrims Progress's picture

Pilgrims Progress

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I'm having a relaxing Monday morning drinking my coffee and reading through your poems, thank you, and keep them coming........

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Pilgrims Progress

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And now for something completely different..........

When I was a little kid my maternal grandfather would often recite old bush poems. In his schooldays,  pupils all had to memorise and recite poetry.

 

This particular poem was my favourite - and I would beg him to recite it again and again.

"But why?" he'd say, "It just makes you cry"

"I know - but I just love it".

 

It's sooooo sad!

 

Lost

`He ought to be home,' said the old man, `without there's something amiss.
He only went to the Two-mile -- he ought to be back by this.
He WOULD ride the Reckless filly, he WOULD have his wilful way;
And, here, he's not back at sundown -- and what will his mother say?

`He was always his mother's idol, since ever his father died;
And there isn't a horse on the station that he isn't game to ride.
But that Reckless mare is vicious, and if once she gets away
He hasn't got strength to hold her -- and what will his mother say?'

The old man walked to the sliprail, and peered up the dark'ning track,
And looked and longed for the rider that would never more come back;
And the mother came and clutched him, with sudden, spasmodic fright:
`What has become of my Willie? -- why isn't he home to-night?'

Away in the gloomy ranges, at the foot of an ironbark,
The bonnie, winsome laddie was lying stiff and stark;
For the Reckless mare had smashed him against a leaning limb,
And his comely face was battered, and his merry eyes were dim.

And the thoroughbred chestnut filly, the saddle beneath her flanks,
Was away like fire through the ranges to join the wild mob's ranks;
And a broken-hearted woman and an old man worn and grey
Were searching all night in the ranges till the sunrise brought the day.

And the mother kept feebly calling, with a hope that would not die,
`Willie! where are you, Willie?' But how can the dead reply;
And hope died out with the daylight, and the darkness brought despair,
God pity the stricken mother, and answer the widow's prayer!

Though far and wide they sought him, they found not where he fell;
For the ranges held him precious, and guarded their treasure well.
The wattle blooms above him, and the blue bells blow close by,
And the brown bees buzz the secret, and the wild birds sing reply.

But the mother pined and faded, and cried, and took no rest,
And rode each day to the ranges on her hopeless, weary quest.
Seeking her loved one ever, she faded and pined away,
But with strength of her great affection she still sought every day.

`I know that sooner or later I shall find my boy,' she said.
But she came not home one evening, and they found her lying dead,
And stamped on the poor pale features, as the spirit homeward pass'd,
Was an angel smile of gladness -- she had found the boy at last.

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EasternOrthodox

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For sadness and loss, there is this translation of Callimachus:

 

William (Johnson) Cory 1823-1892

 

Heraclitus

 

They told me, Heraclitus, they told me you were dead,

They brought me bitter news to hear and bitter tears to shed.

I wept as I remember’d how often you and I

Had tired the sun with talking and sent him down the sky.

And now that thou art lying, my dear old Carian guest,

A handful of grey ashes, long, long ago at rest

Still thy pleasant voices, thy nightingales, awake;

For Death, he taketh all away, but them he cannot take.

--------------------------------------

I studied it in Ancient Greek

I just noticed a comment on the site where I got the original Greek and the modern translation.  the commenter says the above version is "mawkish and sentimental."  Oh well.

 

Callimachus XXXIV G-P (A.P. 7.80):

 

Εἰπέ τις, Ἡράκλειτε, τεὸν μόρον ἐς δέ με δάκρυ
    ἤγαγεν ἐμνήσθην δ᾿ ὁσσάκις ἀμφότεροι
ἠέλιον λέσχῃ κατεδύσαμεν. ἀλλὰ σὺ μέν που,
    ξεῖν᾿ Ἁλικαρνησεῦ, τετράπαλαι σποδιή,
αἱ δὲ τεαὶ ζώουσιν ἀηδόνες, ᾗσιν ὁ πάντων
    ἁρπακτὴς Ἀίδης οὐκ ἐπὶ χεῖρα βαλεῖ.

 

 

Modern translation

Someone told me of your death, Heraclitus, and it moved me to tears, when I remembered how often the sun set on our talking. And you, my Halicarnassian friend, lie somewhere, gone long long ago to dust; but they live, your Nightingales, on which Hades who siezes all shall not lay his hand.

(translated by W. R. Paton, with archaic forms updated)

 

 

 

 

Mendalla's picture

Mendalla

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Another special one from my life. We used this as a reading at our wedding (the BIble reading was 1 Cor 13). Both readings were done in both Mandarin and English to honour my wife's homeland and culture.

 

Married Love

You and I
Have so much love,
That it
Burns like a fire,
In which we bake a lump of clay
Molded into a figure of you
And a figure of me.
Then we take both of them
And break them into pieces,
And mix the pieces with water,
And mold again a figure of you,
And a figure of me.
In life we share a single quilt.
In death we will share one coffin.
 

-- Kuan Tao-Shing (1282-1319).

 

Mendalla

 

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Mendalla

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EasternOrthodox wrote:

I studied it in Ancient Greek

 

While my undergrad is in classics, I rather neglected Greek since I came into the program with 3 years of high school Latin already under my belt. Took a two term introduction to Classical Greek and left it at that. One consequence is that, aside from Homer, I don't really number very many Greek poets among my favorites whereas I number Ovid, Horace, Virgil, and Catullus all among my favorites (with Horace as my favorite of the lot).

 

Mendalla

 

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Arminius

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My all-time favourite:

 

 

THE PHOENIX AND THE TURTLE

 

Let the bird of loudest lay,

On the sole Arabian tree,

Herald sad and trumpet be,

To whose sound chaste wings obey.

 

But thou, shrieking harbinger,

Foul pre-currer of the fiend,

Augur of the fever's end,

To this troop come thou not near.

 

From this session interdict

Every foul of tyrant wing,

Save the eagle, feather'd king:

Keep the obsequy so strict.

 

Let the priest in surplice white,

That defunctive music can,

Be the death-dvining swan,

Lest the requiem lack his right.

 

And thou, treble-dated crow,

That thy sable gender mak'st

With the breath thou giv'st and tak'st,

'Mongst our mourners shalt thou go.

 

Here the anthem doth commence:

Love and constancy is dead;

Phoenix and the turtle fled

In a mutual flame from hence.

 

So they lov'd, as love in twain

Had the essence but in one;

Two distincts, division none:

Number there in love was slain.

 

Hearts remote, yet not asunder;

Distance, and no space was seen

'Twixt the turtle and his queen;

But in them it were a wonder.

 

So between them love did shine,

That the turtle saw his right

Flaming in the phoenix's sight:

Either was the other's mine.

 

Property was thus appall'd,

That the self was not the same;

Single nature's double name

Neither two nor one was call'd.

 

Reason, in itself confounded,

Saw division grow together;

To themselves yet either/neither,

Simple were so well compounded

 

That it cried how true a twain

Seemeth this concordant one!

Love hath reason, reason none

If what parts can so remain.

 

Whereupon it made this threne

To the phoenix and the dove,

Co-supremes and stars of love;

As chorus to their tragic scene.

 

                  THRENOS

 

Beauty, truth, and rarity.

Grace in all simplicity,

Here enclosed in cinders lie.

 

Death is now the phoenix's nest;

And the turtle's loyal breast

To eternity doth rest,

 

Leaving no posterity:—

'Twas not their infirmity,

It was married chastity.

 

Truth may seem, but cannot be:

Beauty brag, but 'tis not she;

Truth and beauty buried be.

 

To this urn let those repair

That are either true or fair;

For these dead birds sigh a prayer.

 

-William Skaespeare

 

(The "turtle" in the above poem is a "turtle dove.")

 

 

My favourite self-composed poem is Getting IT. I have quoted it so many times here on the cafe that I hardly dare quote it again. Well, like it or not, here is it is:

 

 

Getting IT

 

IT is we; we are IT.

We can't comprehend IT without experiencing IT,

But we can experience IT without comprehending IT—

For we are IT!

 

IT reveals everything;

IT explains nothing.

 

The interpretations

Of ITs revelations

Are our creations.

 

-Arminius

 

 

My favourite of the poems posted so far is Inanna's.

 

waterfall's poem by Marianne Williamson also speaks to me and for me.

 

 

Keep them coming!

 

 

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Mendalla

 

I just studied it on my own, from a book, or rather, several books.  But I really worked at it.  There farther back you go, the harder it is to read.  The New Testament, not too hard.  Homer, quite hard.  Many archaic features in the language.

 

But the book I was using had all sorts of examples of Greek poets and I just loved that one.  It was a wonderful experience.  I mean, why do crossword puzzles when you could be studying a foreign language?   

 

I did take Latin in high school but that was over 40 years ago and I can't remember much.  Maybe when I retire....   The Horace poems you posted are beautiful.

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My father like Omar Khayyam and collected copies of his work.  No, I do not know Persian!  That would be hard, the language is written right to left and looks nothing like the Latin alphabet (which shares much with the Greek alphabet).   Excerpts from the famous Edward Fitzgerald translation.  It sounds like Omar was kind fond of drinking.

 

 

   1

 Awake! for Morning in the Bowl of Night

 Has flung the Stone that puts the Stars to Flight:

 And Lo! the Hunter of the East has caught

 The Sultan's Turret in a Noose of Light.

   2

 Dreaming when Dawn's Left Hand was in the Sky

 I heard a Voice within the Tavern cry,

 "Awake, my Little ones, and fill the Cup

 "Before Life's Liquor in its Cup be dry."

   3

 And, as the Cock crew, those who stood before

 The Tavern shouted--"Open then the Door!

 "You know how little while we have to stay,

 "And, once departed, may return no more."

   4

 Now the New Year reviving old Desires,

 The thoughtful Soul to Solitude retires,

 Where the WHITE HAND OF MOSES on the Bough

 Puts out, and Jesus from the Ground suspires.

   *****

 

   5

 Iram indeed is gone with all its Rose,

 And Jamshyd's Sev'n-ring'd Cup where no one knows;

 But still the Vine her ancient Ruby yields,

 And still a Garden by the Water blows.

 

Here with a Loaf of Bread beneath the Bough, 

A Flask of Wine, a Book of Verse---and Thou

 Beside me singing in the Wilderness---

 And Wilderness is Paradise enow.

 

 "How sweet is mortal Sovranty!"---think some:

 Others---"How blest the Paradise to come!"

 Ah, take the Cash in hand and waive the Rest;

 Oh, the brave Music of a distant Drum!

 

 

The worldly hope men set their hearts upon

 Turns Ashes---or it prospers; and anon,

 Like Snow upon the Desert's dusty Face

 Lighting a little Hour or two---is gone.

   15

 And those who husbanded the Golden Grain,

 And those who flung it to the Winds like Rain,

 Alike to no such aureate Earth are turn'd

 As, buried once, Men want dug up again.

   16

 Think, in this batter'd Caravanserai

 Whose Doorways are alternate Night and Day,

 How Sultan after Sultan with his Pomp

 Abode his Hour or two, and went his way.

   17

 They say the Lion and the Lizard keep

 The Courts where Jamshyd gloried and drank deep;

 And Bahram, that great Hunter---the Wild Ass

 Stamps o'er his Head, and he lies fast asleep.

   18

 I sometimes think that never so red

 The Rose as where some buried Caesar bled;

 That every Hyacinth the Garden wears

 Dropt in its Lap from some once lovely Head.

 

 

Oh, come with old Khayyam, and leave the Wise 

To talk; one thing is certain, that Life flies;

 One thing is certain, and the Rest is Lies;

 The Flower that once has blown for ever dies.

   27

 Myself when young did eagerly frequent

 Doctor and Saint, and heard great Argument

 About it and about: but evermore

 Came out by the same Door as in I went.

   28

 With them the Seed of Wisdom did I sow,

 And with my own hand labour'd it to grow:

 And this was all the Harvest that I reap'd---

 "I came like Water, and like Wind I go."

 

   37

 Ah, fill the Cup:---what boots it to repeat

 How Time is slipping underneath our Feet:

 Unborn TO-MORROW, and dead YESTERDAY,

 Why fret about them if TO-DAY be sweet!

   38

 One Moment in Annihilation's Waste,

 One Moment, of the Well of Life to taste---

 The Stars are setting and the Caravan

 Starts for the Dawn of Nothing---Oh, make haste!

   39

 How long, how long, in infinite Pursuit

 Of This and That endeavour and dispute?

 Better be merry with the fruitful Grape

 Than sadden after none, or bitter, Fruit.

   40

 You know, my Friends, how long since in my House

 For a new Marriage I did make Carouse:

 Divorced old barren Reason from my Bed,

 And took the Daughter of the Vine to Spouse.

 

 

   45

 But leave the Wise to wrangle, and with me

 The Quarrel of the Universe let be:

 And, in some corner of the Hubbub coucht,

 Make Game of that which makes as much of Thee.

   46

 For in and out, above, about, below,

 'Tis nothing but a Magic Shadow-show,

 Play'd in a Box whose Candle is the Sun,

 Round which we Phantom Figures come and go.

   47

 And if the Wine you drink, the Lip you press,

 End in the Nothing all Things end in ---Yes---

 Then fancy while Thou art, Thou art but what

 Thou shalt be---Nothing---Thou shalt not be less.

   48

 While the Rose blows along the River Brink,

 With old Khayyam the Ruby Vintage drink:

 And when the Angel with his darker Draught

 Draws up to Thee---take that, and do not shrink.

   *****

 

   49

 'Tis all a Chequer-board of Nights and Days

 Where Destiny with Men for Pieces plays:

 Hither and thither moves, and mates, and slays,

 And one by one back in the Closet lays.

   50

 The Ball no Question makes of Ayes and Noes,

 But Right or Left, as strikes the Player goes;

 And He that toss'd Thee down into the Field,

 *He* knows about it all---He knows---HE knows!

   51

 The Moving Finger writes; and, having writ,

 Moves on: nor all thy Piety nor Wit

 Shall lure it back to cancel half a Line,

 Nor all thy Tears wash out a Word of it.

   52

 And that inverted Bowl we call The Sky,

 Whereunder crawling coop't we live and die,

 Lift not thy hands to *It* for help---for It

 Rolls impotently on as Thou or I.

   *****

 

   53

 With Earth's first Clay They did the Last Man's knead,

 And then of the Last Harvest sow'd the Seed:

 Yea, the first Morning of Creation wrote

 What the Last Dawn of Reckoning shall read.

 

KUZA-NAMA ("Book of Pots") 

59

 Listen again. One Evening at the Close

 Of Ramazan, ere the better Moon arose,

 In that old Potter's Shop I stood alone

 With the clay Population round in Rows.

   60

 And, strange to tell, among that Earthen Lot

 Some could articulate, while others not:

 And suddenly one more impatient cried---

 "Who *is* the Potter, pray, and who the Pot?"

   *****

 

   61

 Then said another---"Surely not in vain

 "My Substance from the common Earth was ta'en,

 "That He who subtly wrought me into Shape

 "Should stamp me back to common Earth again."

   62

 Another said---"Why, ne'er a peevish Boy,

 "Would break the Bowl from which he drank in Joy;

 "Shall He that *made* the Vessel in pure Love

 "And Fancy, in an after Rage destroy!"

   63

 None answer'd this; but after Silence spake

 A Vessel of a more ungainly Make:

 "They sneer at me for learning all awry;

 "What! did the Hand then of the Potter shake?"

   64

 Said one---"Folk of a surly Tapster tell

 "And daub his Visage with the Smoke of Hell;

 "They talk of some strict Testing of us---Pish!

 "He's a Good Fellow, and 't will all be well."

 

   *****

   65

 Then said another with a long-drawn Sigh,

 "My Clay with long oblivion is gone dry:

 "But, fill me with the old familiar Juice,

 "Methinks I might recover by-and-bye!"

   66

 So while the Vessels one by one were speaking,

 One spied the little Crescent all were seeking:

 And then they jogg'd each other, "Brother! Brother!

 "Hark to the Porter's Shoulder-knot a-creaking!"

   67

 Ah, with the Grape my fading Life provide,

 And wash my Body whence the Life has died,

 And in the Windingsheet of Vine-leaf wrapt,

 So bury me by some sweet Garden-side.

   68

 That ev'n my buried Ashes such a Snare

 Of Perfume shall fling up into the Air,

 As not a True Believer passing by

 But shall be overtaken unaware.

 

   *****

 

   69

 Indeed the Idols I have loved so long

 Have done my Credit in Men's Eye much wrong:

 Have drown'd my Honour in a shallow Cup,

 And sold my Reputation for a Song.

   70

 Indeed, indeed, Repentance oft before

 I swore---but was I sober when I swore?

 And then and then came Spring, and Rose-in-hand

 My thread-bare Penitence apieces tore.

   71

 And much as Wine has play'd the Infidel

 And robb'd me of my Robe of Honour---well,

 I often wonder what the Vintners buy

 One half so precious as the Goods they sell.

   72

 Alas, that Spring should vanish with the Rose!

 That Youth's sweet-scented Manuscript should close!

 The Nightingale that in the Branches sang,

 Ah, whence, and whither flown again, who knows!

 

   *****

 

   73

 Ah Love! could thou and I with Fate conspire

 To grasp this sorry Scheme of Things entire,

 Would not we shatter it to bits---and then

 Re-mould it nearer to the Heart's Desire!

   74

 Ah, Moon of my Delight who Know'st no wane

 The Moon of Heav'n is rising once again:

 How oft hereafter rising shall she look

 Through this same Garden after me---in vain!

   75

 And when Thyself with shining Foot shall pass

 Among the Guests Star-scatter'd on the Grass,

 And in thy joyous Errand reach the Spot

 Where I made one---turn down an empty Glass!

 

  TAMAM SHUD (It is completed.)

 

EasternOrthodox's picture

EasternOrthodox

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Also dealing with loss....

 

LYCIDAS by John Milton

 

In this Monody the Author bewails a
learned Friendunfortunatly drown'd in his Passage
from Chester on the Irish Seas, 1637. And by
occasion fortels the ruine of our corrupted
Clergy then in their height.

 

Yet once more, O ye Laurels, and once more
Ye Myrtles brown, with Ivy never-sear,
com to pluck your Berries harsh and crude,
And with forc'd fingers rude,
Shatter your leaves before the mellowing year. [ 5 ]
Bitter constraint, and sad occasion dear,

Compels me to disturb your season due:

For Lycidas is dead, dead ere his prime,
Young Lycidas, and hath not left his peer:
Who would not sing for Lycidas? he knew [ 10 ]
Himself to sing, and build the lofty rhyme.

He must not flote upon his watry bear
Unwept, and welter to the parching wind,
Without the meed of som melodious tear.

Begin then, Sisters of the sacred well, [ 15 ]
That from beneath the seat of Jove doth spring,
Begin, and somwhat loudly sweep the string.
Hence with denial vain, and coy excuse,
So may som gentle Muse
With lucky words favour my destin'd Urn, [ 20 ]
And as he passes turn,
And bid fair peace be to my sable shrowd.
For we were nurst upon the self-same hill,
Fed the same flock, by fountain, shade, and rill.

Together both, ere the high Lawns appear'd [ 25 ]
Under the opening eye-lids of the morn,
We drove a field, and both together heard
What time the Gray-fly winds her sultry horn,
Batt'ning our flocks with the fresh dews of night,
Oft till the Star that rose, at Ev'ning, bright [ 30 ]
Toward Heav'ns descent had slop'd his westering wheel.
Mean while the Rural ditties were not mute,
Temper'd to th' Oaten Flute,
Rough Satyrs danc'd, and Fauns with clov'n heel,
From the glad sound would not be absent long, [ 35 ]
And old Damœtas lov'd to hear our song.

But O the heavy change, now thou art gon,
Now thou art gon, and never must return!
Thee Shepherd, thee the Woods, and desert Caves,
With wilde Thyme and the gadding Vine o'regrown, [ 40 ]
And all their echoes mourn.
The Willows, and the Hazle Copses green,
Shall now no more be seen,
Fanning their joyous Leaves to thy soft layes.
As killing as the Canker to the Rose, [ 45 ]
Or Taint-worm to the weanling Herds that graze,
Or Frost to Flowers, that their gay wardrop wear,
When first the White thorn blows;
Such, Lycidas, thy loss to Shepherds ear.

Where were ye Nymphs when the remorseless deep [ 50 ]
Clos'd o're the head of your lov'd Lycidas?
For neither were ye playing on the steep,
Where your old Bards, the famous Druids ly,
Nor on the shaggy top of Mona high,
Nor yet where Deva spreads her wisard stream: [ 55 ]
Ay me, I fondly dream!
Had ye bin there — for what could that have don?
What could the Muse her self that Orpheus bore,
The Muse her self, for her inchanting son
Whom Universal nature did lament, [ 60 ]
When by the rout that made the hideous roar,
His goary visage down the stream was sent,
Down the swift Hebrus to the Lesbian shore.

Alas! What boots it with uncessant care
To tend the homely slighted Shepherds trade, [ 65 ]
And strictly meditate the thankles Muse,
Were it not better don as others use,
To sport with Amaryllis in the shade,
Or with the tangles of Neæra's hair?
Fame is the spur that the clear spirit doth raise [ 70 ]
(That last infirmity of Noble mind)
To scorn delights, and live laborious dayes;
But the fair Guerdon when we hope to find,
And think to burst out into sudden blaze,
Comes the blind Fury with th' abhorred shears, [ 75 ]
And slits the thin spun life. But not the praise,
Phœbus repli'd, and touch'd my trembling ears;
Fame is no plant that grows on mortal soil,
Nor in the glistering foil
Set off to th' world, nor in broad rumour lies, [ 80 ]
But lives and spreds aloft by those pure eyes,
And perfet witnes of all judging Jove;
As he pronounces lastly on each deed,
Of so much fame in Heav'n expect thy meed.

O Fountain Arethuse, and thou honour'd flood, [ 85 ]
Smooth-sliding Minciuscrown'd with vocall reeds,
That strain I heard was of a higher mood:
But now my Oate proceeds,
And listens to the Herald of the Sea
That came in Neptune's plea, [ 90 ]
He ask'd the Waves, and ask'd the Fellon winds,
What hard mishap hath doom'd this gentle swain?
And question'd every gust of rugged wings
That blows from off each beaked Promontory,
They knew not of his story, [ 95 ]
And sage Hippotades their answer brings,
That not a blast was from his dungeon stray'd,
The Ayr was calm, and on the level brine,
Sleek Panope with all her sisters play'd.
It was that fatall and perfidious Bark [ 100 ]
Built in th' eclipse, and rigg'd with curses dark,
That sunk so low that sacred head of thine.

Next Camus, reverend Sire, went footing slow,
His Mantle hairy, and his Bonnet sedge,
Inwrought with figures dim, and on the edge [ 105 ]
Like to that sanguine flower inscrib'd with woe.
Ah! Who hath reft (quoth he) my dearest pledge?
Last came, and last did go,
The Pilot of the Galilean lake,
Two massy Keyes he bore of metals twain, [ 110 ]
(The Golden opes, the Iron shuts amain)
He shook his Miter'd locks, and stern bespake,
How well could I have spar'd for thee young swain,
Anow of such as for their bellies sake,
Creep and intrude, and climb into the fold? [ 115 ]
Of other care they little reck'ning make,
Then how to scramble at the shearers feast,
And shove away the worthy bidden guest.
Blind mouthes! that scarce themselves know how to hold
A Sheep-hook, or have learn'd ought els the least [ 120 ]
That to the faithfull Herdmans art belongs!
What recks it them? What need they? They are sped;
And when they list, their lean and flashy songs
Grate on their scrannel Pipes of wretched straw,
The hungry Sheep look up, and are not fed, [ 125 ]
But swoln with wind, and the rank mist they draw,
Rot inwardly, and foul contagion spread:
Besides what the grim Woolf with privy paw
Daily devours apace, and nothing sed,
But that two-handed engine at the door, [ 130 ]
Stands ready to smite once, and smite no more.

Return Alpheus, the dread voice is past,
That shrunk thy streams; Return Sicilian Muse,
And call the Vales, and bid them hither cast
Their Bels, and Flourets of a thousand hues. [ 135 ]
Ye valleys low where the milde whispers use,
Of shades and wanton winds, and gushing brooks,
On whose fresh lap the swart Star sparely looks,
Throw hither all your quaint enameld eyes,
That on the green terf suck the honied showres, [ 140 ]
And purple all the ground with vernal flowres.
Bring the rathe Primrose that forsaken dies.
The tufted Crow-toe, and pale Jasmine,
The white Pink, and the Pansie freakt with jeat,
The glowing Violet. [ 145 ]
The Musk-rose, and the well attir'd Woodbine,
With Cowslips wan that hang the pensive hed,
And every flower that sad embroidery wears:
Bid Amaranthus all his beauty shed,
And Daffadillies fill their cups with tears, [ 150 ]
To strew the Laureat Herse where Lycid lies.
For so to interpose a little ease,
Let our frail thoughts dally with false surmise.
Ay me! Whilst thee the shores and sounding Seas
Wash far away, where ere thy bones are hurld, [ 155 ]
Whether beyond the stormy Hebrides,
Where thou perhaps under the whelming tide
Visit'st the bottom of the monstrous world;
Or whether thou to our moist vows deny'd,
Sleep'st by the fable of Bellerus old, [ 160 ]
Where the great vision of the guarded Mount
Looks toward Namancos and Bayona's hold;
Look homeward Angel now, and melt with ruth.
And, O ye Dolphins, waft the haples youth.

Weep no more, woful Shepherds weep no more, [ 165 ]
For Lycidas your sorrow is not dead,
Sunk though he be beneath the watry floar,
So sinks the day-star in the Ocean bed,
And yet anon repairs his drooping head,
And tricks his beams, and with new-spangled Ore, [ 170 ]
Flames in the forehead of the morning sky:
So Lycidas sunk low, but mounted high,
Through the dear might of him that walk'd the waves;
Where other groves, and other streams along,
With Nectar pure his oozy Lock's he laves, [ 175 ]
And hears the unexpressive nuptiall Song,
In the blest Kingdoms meek of joy and love.
There entertain him all the Saints above,
In solemn troops, and sweet Societies
That sing, and singing in their glory move, [ 180 ]
And wipe the tears for ever from his eyes.
Now Lycidas the Shepherds weep no more;
Hence forth thou art the Genius of the shore,
In thy large recompense, and shalt be good
To all that wander in that perilous flood. [ 185 ]

Thus sang the uncouth Swain to th' Okes and rills,
While the still morn went out with Sandals gray,
He touch'd the tender stops of various Quills,
With eager thought warbling his Dorick lay:
And now the Sun had stretch'd out all the hills, [ 190 ]
And now was dropt into the Western bay;
At last he rose, and twitch'd his Mantle blew:
To morrow to fresh Woods, and Pastures new.

 

waterfall's picture

waterfall

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Pilgrims Progress wrote:

Waterfall,

I saw the video you're referring to - extremely confronting and disturbing.

I 've chosen not to post it though, because it may unfairly incite anti-Moslem feeling.

I believe, as evidenced in this PBS article, that the majority of Moslems don't condone such behaviour.

 

 Criminal offenses are just one part of Sharia, a code for living. If followed, Muslims claim there will be no poverty or crime in their societies. While most Muslims attempt to adhere to Sharia as a way of living, the harshest punishments for certain criminal offenses are carried out in relatively few Muslim societies, such as Saudi Arabia and Iran. In other countries such as Pakistan with Sharia law, it is applied selectively. In predominantly Muslim countries that have secular governments, it has largely been abandoned as a legal system.

 

I removed the request for the poem, but I have to say, it was her obvious passion and the fact this young woman dared to speak out so eloquently that spoke to me. I admired her bravery and how she rebelled against being silenced. I think she wrote this because she wanted someone (maybe the world) to hear her.

Pilgrims Progress's picture

Pilgrims Progress

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Waterfall, agreed -it was very disturbing.

 

I'm not intimating that the video shouldn't be seen -  I found it from your description -and you had every right to bring it to our attention. I didn't expect you to withdraw it.

 

Just, for the reasons I gave, I preferred not to embed it...........

 

 

EasternOrthodox's picture

EasternOrthodox

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On a more positive note for the Islamic world, there are many Persian poets.  Omar Khayyam (my father's very favorite poem, excerpt above) is only the best-known, probably because of the excellent translation by Edward Fitzgerald.   Omar lived 1048-1131, according to Wikipedia.

 

But there are a lot of other ones from the classical age, according to various memoirs by Iranians I have read. Just as many as ancient Greece and Rome.

Pilgrims Progress's picture

Pilgrims Progress

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It's the anniversary of my husband's death in a few weeks - so this morning finds me in a reflective mood.......

 

During the marriage service we had this poem/verse recited from "The Prophet"

 

Marriage


 

Then Almitra spoke again and said, "And what of Marriage, master?"

And he answered saying:

You were born together, and together you shall be forevermore.

You shall be together when white wings of death scatter your days.

Aye, you shall be together even in the silent memory of God.

But let there be spaces in your togetherness,

And let the winds of the heavens dance between you.

Love one another but make not a bond of love:

Let it rather be a moving sea between the shores of your souls.

Fill each other's cup but drink not from one cup.

Give one another of your bread but eat not from the same loaf.

Sing and dance together and be joyous, but let each one of you be alone,

Even as the strings of a lute are alone though they quiver with the same music.

Give your hearts, but not into each other's keeping.

For only the hand of Life can contain your hearts.

And stand together, yet not too near together:

For the pillars of the temple stand apart,

And the oak tree and the cypress grow not in each other's shadow.

 

 

At the funeral service I chose our favourite blessing hymn -

 

May the feet of God walk with you

and his hand hold you tight.

May the eye of God rest on you

and his ear hear you cry.

May the smile of God be for you

and his breath give you life.

May the child of God grow in you

and his love bring you home.

 

 

 

 

SG's picture

SG

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I love poetry. One look at my bookshelves proves it. There is no way I could pick only one, one author- let alone one poem. I write tons of it rather badly.

For today, my choice is -

The Ducks on the Millpond - Rod McKuen

Moments ago the ducks played on the millpond
the sparrows chatted freely
and the chickens poked and pecked about the yard
then with the first shadow of evening
they were all gone
last to go were the killdeer birds
off beyond the eucalyptus trees.

Standing at the window
I often wonder why the killdeer birds
are always last to leave
they must have the need
to walk the day a little longer
just like us.

Listen...
I do not apologize for being hard to know
I am what I am
sulking will not change that
but apple pies and warm hands help
and I have never known a cat
that couldn’t calm me down
just by walking slowly past my chair.

So I’ll smile for you in winter
if you’ll go easy
and fill your rooms with roses when I can
if you’ll stop beating me with words
and if in bed... you never turn away.

-from Listen to the Warm, 1968

SG's picture

SG

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PilgrimsProgress,

Thoughts with you...

waterfall's picture

waterfall

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What though the radiance which was once so bright,

Be now forever taken from my sight

Though nothing can bring back the hour

of splendor in the grass, of glory in the flower,

We will grieve not, rather find

strength in what remains behind;

In the primal sympathy

which having been must ever be

In the soothing thoughts that spring

Out of human suffering;

In the faith that looks through death,

In years that bring the philosophic mind.

 

William Wordsworth

 

 

ninjafaery's picture

ninjafaery

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Lovely thread -- love poetry.

Here's one of my all-time favourites.

 


Wild Geese

“You do not have to be good. 
You do not have to walk on your knees 
for a hundred miles through the desert, repenting. 
You only have to let the soft animal of your body 
love what it loves. 
Tell me about despair, yours, and I will tell you mine. 
Meanwhile the world goes on. 
Meanwhile the sun and the clear pebbles of the rain 
are moving across the landscapes, 
over the prairies and the deep trees, 
the mountains and the rivers. 
Meanwhile the wild geese, high in the clean blue air, 
are heading home again. 
Whoever you are, no matter how lonely, 
the world offers itself to your imagination, 
call to you like the wild geese, harsh and exciting – 
over and over announcing your place 
in the family of things.” 
― Mary Oliver

Pilgrims Progress's picture

Pilgrims Progress

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I see that American poets are in favour here.......

 

Here is a particular favourite of mine -as it speaks to me of the constant tussle between security and extending one's comfort zone.........

 

I know why the caged bird sings by Maya Angelou
 
A free bird leaps on the back
Of the wind and floats downstream
Till the current ends and dips his wing
In the orange suns rays
And dares to claim the sky.

But a BIRD that stalks down his narrow cage
Can seldom see through his bars of rage
His wings are clipped and his feet are tied
So he opens his throat to sing.

The caged bird sings with a fearful trill
Of things unknown but longed for still
And his tune is heard on the distant hill for
The caged bird sings of freedom.

The free bird thinks of another breeze
And the trade winds soft through
The sighing trees
And the fat worms waiting on a dawn-bright
Lawn and he names the sky his own.

But a caged BIRD stands on the grave of dreams
His shadow shouts on a nightmare scream
His wings are clipped and his feet are tied
So he opens his throat to sing.

The caged bird sings with
A fearful trill of things unknown
But longed for still and his
Tune is heard on the distant hill
For the caged bird sings of freedom

Pilgrims Progress's picture

Pilgrims Progress

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SG wrote:

PilgrimsProgress,

Thoughts with you...

Thanks, SG.

 

(In many ways I've reached a new plateau of acceptance and peace - as suggested in Waterfall's Wordsworth poem. There's just occasional blips - particularly when it comes to this time of year.)

Elanorgold's picture

Elanorgold

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Wow! There's a lot here! I can't soak it all in right now. Exciting to see so much enthusiasm for poetry!

 

The first poems I ever loved were lyrics. This one made me want to write poetry of my own:

 

~Secret Oktober by Simon LeBon~

 

Wise on a birthday party, in a world
Full of surprising fireworks and sudden silence
(Shh)
Lies on a stranger's bed the new day breaks, like a speeding train
Or an old friend ever expected, but never knocking

Holding your own in a battered car
All night parties cocktail bars
And smile when the butterfly escapes the killing jar

Sure eyes awake before the dancing is over
Wise or naked in secret Oktober
 

Freefall on a windy morning shore
Nothing but a fading track of footsteps
Could prove that you'd ever been there
Spoken on a cotton cloud like the sound of gunshot
Taken by the wind, and lost in distant thunder

Racing on a shining plane
Tomorrow you'll be content to watch as the lightning plays
Along the wires, and you'll wonder

Sure eyes awake before the dancing is over
Wise or naked in secret Oktober

 

It was like magic... what the hell it was about I didn't yet have a clue, but it sounded so beautiful and wise, elaborate and decorated. I wanted to express myself in that way.

 

Then came Poe. whoa! What eloquence! His poems were so perfect and so beautifully sad and melancholy. They expressed my feelings, and I wanted to be like that, dripping with ancient lace, my sorrow made beautiful and misty like night fog.

 

~A Dream Within a Dream by Edgar Allan Poe~

 

Take this kiss upon the brow!
And, in parting from you now,
Thus much let me avow-
You are not wrong, who deem
That my days have been a dream;
Yet if hope has flown away
In a night, or in a day,
In a vision, or in none,
Is it therefore the less gone?
All that we see or seem
Is but a dream within a dream.

I stand amid the roar
Of a surf-tormented shore,
And I hold within my hand
Grains of the golden sand-
How few! yet how they creep
Through my fingers to the deep,
While I weep- while I weep!
O God! can I not grasp
Them with a tighter clasp?
O God! can I not save
One from the pitiless wave?
Is all that we see or seem
But a dream within a dream?

 

I also loved Shakespeare, especially R&J, and Hamlet. So I was influenced by those in my own poetry.

Arminius's picture

Arminius

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SONG OF THE ANSWERER

 

The words of true poems give you more than poems,

They give you to form for yourself poems, religions, politics, war, peace, behavior, histories, essays, daily life, and everything else,

They balance ranks, colors, races, creeds, and the sexes,

They do not seek beauty, they are sought,

Forever touching them or close upon them follows beauty, longing, fain, love-sick.

 

They prepare for death, yet they are not the finish, but rather the outset,

They bring none to his or her terminus or to be content and full,

Whom they take they take into space to behold the birth of stars, to learn one of the meanings,

To launch off with absolute faith, to sweep through the ceaseless rings and never be quiet again.

 

-Walt Whitman

 

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My beloved spoke, and said unto me,

Rise up, my love, my fair one, and come away.

 

For lo, the winter is past, the rain is over and gone;

 

The flowers appear on the earth; the time of the singing of the birds is come, and the voice of the turtle dove is heard in our land;

 

The fig tree putteth forth her green figs, and the vines with the tender grapes give a good smell.

Arise, my love, my fair one, and come away.

 

Song of Solomon, 2:10-13

 

The entire Song of Solomon is one exquisite love poem, the most beautiful poem in the Bible.

jlin's picture

jlin

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"DO NOT GO GENTLE INTO THAT GOODNIGHT

RAGE RAGE AT THE DYING OF THE LIGHT"

 

Dylan Thomas

jlin's picture

jlin

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I used to enjoy reciting this poem during my punk phase.  It's still  sly, silly, blunt, important.

 

To Nobodaddy 

 

 

Why art thou silent & invisible
Father of jealousy
Why dost thou hide thyself in clouds
From every searching Eye

 

 

Why darkness & obscurity
In all thy words & laws
That none dare eat the fruit but from
The wily serpents jaws
Or is it because Secresy
gains females loud applause

 

William Blake

SG's picture

SG

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Pablo Neruda is a fav (but I prefer them in Spanish)

Cat's Dreams

How neatly a cat sleeps,
sleeps with its paws and its posture,
sleeps with its wicked claws,
and with its unfeeling blood,
sleeps with all the rings--
a series of burnt circles--
which have formed the odd geology
of its sand-colored tail.

I should like to sleep like a cat,
with all the fur of time,
with a tongue rough as flint,
with the dry sex of fire;
and after speaking to no one,
stretch myself over the world,
over roofs and landscapes,
with a passionate desire
to hunt the rats in my dreams.

I have seen how the cat asleep
would undulate, how the night
flowed through it like dark water;
and at times, it was going to fall
or possibly plunge into
the bare deserted snowdrifts.
Sometimes it grew so much in sleep
like a tiger's great-grandfather,
and would leap in the darkness over
rooftops, clouds and volcanoes.

Sleep, sleep cat of the night,
with episcopal ceremony
and your stone-carved moustache.
Take care of all our dreams;
control the obscurity
of our slumbering prowess
with your relentless heart
and the great ruff of your tail.
 

SG's picture

SG

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This is the only one I recall from heart of Dame Mary Gilmore

I have grown past hate and bitterness,
I see the world as one;
But though I can no longer hate,
My son is still my son.

All men at God's round table sit,
and all men must be fed;
But this loaf in my hand,
This loaf is my son's bread.

jlin's picture

jlin

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I have not yet found a book of poems by Muriel Spark to buy.  I have only been able to read others' collections.  Does anyone have a favourite Muriel Spark poem?

jlin's picture

jlin

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InnanaWhimsey

I have always suspected that physics was purely poetry, but alas, I am one of those indecent intellects who is math illiterate and must use my knowledge of psychology, sociology and evolution of grammar to code anything and everything . . . it has left me far behind or outside of current linguistics in that I can't speak math, but I did get caught up in the passion of poetry and then I had hormones to deal with.  Acid and pot didn't help, of course, only left me longing for more information and having less ability to truely grasp my seemingly subconsicous ability to eff with language and philosophy. 

 

Hell is math illiteracy.

jlin's picture

jlin

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repetez

RitaTG's picture

RitaTG

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Here is a little poem that has meant a lot to me through the years....

.....

I grow a white rose for a friend....

Niether nettles nor thistles do I grow...

For a friend ..... I grow a white rose....

.....

It's an old Toaist poem.....

That says a lot to me ......

Gentle Hugs

Rita

Arminius's picture

Arminius

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When the temple bell stops ringing,

The flowers continue the sound.

 

-Basho

Pilgrims Progress's picture

Pilgrims Progress

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jlin wrote:

  Does anyone have a favourite Muriel Spark poem?

I have a favourite book and a favourite poem............

 

"The Prime of Miss Jean Brodie" was a wonderful read. (It was also a good movie -Maggie Smith was very much in her prime as Jean Brodie).

 

Last week I called the Salvation Army to donate six bags of books. (I have "discovered" Amazon books - and they're becoming an addiction!)

 

It brought to mind this poem of Muriel Spark's.........

Authors' Ghosts by Muriel Spark

I think that authors' ghosts creep back
Nightly to haunt the sleeping shelves
And find the books they wrote.
Those authors put final, semi-final touches,
Sometimes whole paragraphs.

Whole pages are added, re-written, revised,
So deeply by night those authors employ
Themselves with those old books of theirs.

How otherwise
Explain the fact that maybe after years
have passed, the reader
Picks up the book - But was it like that?
I don't remember this . . . Where
Did this ending come from?
I recall quite another.

Oh yes, it has been tampered with
No doubt about it -
The author's very touch is here, there and there,
Where it wasn't before, and
What's more, something's missing -
I could have sworn . . .

 

 

Pilgrims Progress's picture

Pilgrims Progress

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SG wrote:

This is the only one I recall from heart of Dame Mary Gilmore

 

SG, Here's a bit of trivia........

 

Dame Mary Gilmore taught in the same little bush school as my Dad. In Dad's time is was a two-teacher school - the original one-room school that Mary had taught in had been retained as a sewing room.

 

My mother taught sewing (badly). She never could quite understand why I, a left hander, wanted to hem a skirt "the wrong way"................

RitaTG's picture

RitaTG

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Thank you Arminius .... I shall treasure that poem.

Very profound ........

Hugs

Rita

Elanorgold's picture

Elanorgold

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Waterfall, Thanks for the Wordsworth. The movie meant a lot to me.

 

SG, Let's see one of yours!  Cool cat poem too, I like that.

 

Ninj, I liked the Wild Geese one. That's nice.

 

Arminius, Thanks for the Answer, the Walt. I like that.

 

 

Elanorgold's picture

Elanorgold

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Here's one of my favorites of my own, written in 1995, the year before I met my husband.

 

(poem reclaimed, the moment passed. She giveth with one hand, and with the other she taketh away...)

Pilgrims Progress's picture

Pilgrims Progress

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Elanor,

Thanks for confirming something I've often thought  -  what happens to us begins in our imagination............

 

(and sometimes that's revealed in a poem).smiley

Alex's picture

Alex

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  Your Eyes

 

 

Your Eyes
As We Said Our Goodbyes
Can't Get Them Out Of My Mind
And I Find I Can't Hide 
Your Eyes
The Ones That Took Me By Surprise
The Night You Came Into My Life
Where There's Moonlight
I See Your Eyes
 

How'd I Let You Slip Away
When I'm Longing So To Hold You
Now I'd Die For One More Day
'Cause There's Something I Should
Have Told You
Yes There's Something I Should Have
Told You
 

When I Looked Into Your Eyes
Why Does Distance Make Us Wise?
You Were The Song All Along
And Before The Song Dies

I Should Tell You I Should Tell You
I Have Always Loved You
You Can See It In My Eyes

 

 

Elanorgold's picture

Elanorgold

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Did you write that Alex? There is a lot of pain in it. And yes, I think they can see it in our eyes. Time patches these hurts up though, one day those eyes will be harder to see.

 

Thanks Pilgrim. I read that to a guy when I wrote it. He said I was a dreamer and laughed and walked away. He was not the man for me. But I wrote a poem about him too, two actually. I didn't show him those!

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